Hit Man
Richard Linklater’s farce about a phony hired killer is charming and unpredictable, but it would benefit from dropping the “based on a true story” angle.
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Posted by Alonso Duralde | Sep 5, 2023 | VENICE 2023, Spotlight, Toronto 2023 |
Richard Linklater’s farce about a phony hired killer is charming and unpredictable, but it would benefit from dropping the “based on a true story” angle.
Read MorePosted by Deborah Young | Sep 5, 2023 | Festivals, Spotlight, VENICE 2023 |
A withering take-down of Rome’s vapid middle class, Pietro Castellitto’s (‘The Predators’) exuberant second feature ‘Enea’ is an amusing, fast-paced game that winks at gangster movies and bows in Venice competition.
Read MorePosted by Ben Nicholson | Sep 5, 2023 | Festivals, VENICE 2023, Verdict Shorts |
The inconsistencies of adolescence are the challenges of burgeoning womanhood are central to Leila Basma’s knotty and intoxicating coming-of-age short, Sea Salt.
Read MorePosted by Ben Nicholson | Sep 5, 2023 | Festivals, VENICE 2023, Verdict Shorts |
Unspoken traumas are made manifest in Shirin Sohani and Hossein Molayemi’s beautifully drawn and profoundly moving animated allegory, In the Shadow of the Cypress.
Read MorePosted by Deborah Young | Sep 4, 2023 | Festivals, Featured, VENICE 2023 |
Infidelity is followed by murder in glamorous Paris in Woody Allen’s smooth-as-silk 50th film ‘Coup de Chance,’ shot entirely in French.
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