Marx Can Wait
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read MoreThe most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read MoreMaggie Gyllenhaal’s adaptation of Elena Ferrante’s novel ‘The Lost Daughter’ strays too far from Italy to be convincing, but a stunningly good Olivia Colman saves the day.
Read MoreSaudi Arabia takes a big step forward with an international culture event in Jeddah that, for all the glitches, showcased the modern and rapidly changing face of its society.
Read MoreDirector Firouzeh Khosrovani’s own parents embody the lacerating split of Iran into modern liberals and Islamic fundamentalists after the 1978 revolution, in a personal doc of startling clarity and impact.
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