Author: Deborah Young

No Land’s Man

Nawazuddin Siddiqui plays a pathological liar whose romance with an Australian girl unveils a horrifying backstory of racism in Mostofa Sarwar Farooki’s genre-bending pleaser.

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Marx Can Wait

The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.

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