Marx Can Wait
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read MorePosted by Deborah Young | Jan 6, 2022 | Festivals, IDFA |
The most fascinating aspect of Marco Bellocchio’s guilt-streaked revisitation of the suicide of his twin brother in 1968 is the insight it offers into the Italian master’s creative font–his own family.
Read MorePosted by Deborah Young | Jan 4, 2022 | Festivals, Spotlight |
Maggie Gyllenhaal’s adaptation of Elena Ferrante’s novel ‘The Lost Daughter’ strays too far from Italy to be convincing, but a stunningly good Olivia Colman saves the day.
Read MorePosted by Deborah Young | Dec 25, 2021 | Featured, Festivals, International Oscars 2024, Karlovy Vary, Red Sea |
Cheating on a high school exam for a good cause gives top Iraqi Kurdish writer and director Shawkat Amin Korki (‘Memories on Stone’) a fertile moral field to examine the traps surrounding female empowerment.
Read MorePosted by Deborah Young | Dec 19, 2021 | Festivals, Red Sea, The Festival Verdict |
Saudi Arabia takes a big step forward with an international culture event in Jeddah that, for all the glitches, showcased the modern and rapidly changing face of its society.
Read MorePosted by Deborah Young | Dec 14, 2021 | Festivals, Red Sea |
Director Firouzeh Khosrovani’s own parents embody the lacerating split of Iran into modern liberals and Islamic fundamentalists after the 1978 revolution, in a personal doc of startling clarity and impact.
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