International Documentary Festival Amsterdam 2022: The Verdict
Documentaries by Lea Glob, Simon Chambers and Angie Vinchito, all major prizewinners, show the diversity and topicality of the post-pandemic Dutch festival.
Documentaries by Lea Glob, Simon Chambers and Angie Vinchito, all major prizewinners, show the diversity and topicality of the post-pandemic Dutch festival.
As we stand on the edge of increasing digital frontiers, Katharina Pethke’s thought-provoking film explores the mechanics and implications of creating a virtual doppelganger.
Ana Bravo-Perez searches for the demons released by the extraction of fossil fuels from her native Colombia in this disquieting hybrid documentary.
Lea Glob’s ‘Apolonia, Apolonia’, an exploration of what’s at stake in an artist’s life, wins the International Competition at IDFA 2022.
Alain Kassanda connects Congolese history to family history in this revealing debut documentary.
Lena Ndiaye’s documentary may be the most important contemporary document on Francophone Africa’s malignant economic relations with France.
Lauren DeFilippo and Sam Soko examine a newfangled Western method of aid to Africa and return with predictable answers in this largely agreeable fare.
Simon Chambers’ family-filming-family masterpiece is a tender and often funny chronicle of a dying man who secretes his brilliant charisma every moment the camera finds him awake.
A fascinating and troubling behind-the-scenes look into the work of female stuntwomen, who must frequently portray victims at the hands of violent men.
A multi-layered, intensely personal exploration of what’s at stake in an artistic life, through a sprawling portrait of French painter Apolonia Sokol.
A highly stylised, thought-provoking meditation on being stared at without being truly seen, as female immigrants to the Netherlands reflect on their experiences across generations.
Simon Liu utilises his familiar febrile aesthetic as a way to explore and represent Hong Kong’s tumultuous recent history, to deeply disquieting effect.
The artistic director of IDFA speaks his mind to TFV critics Oris Aigbokhaevbolo and Carmen Gray in an interview that reveals profound thinking about what a film festival is and its importance in times of war and political despair.
A powerful, accessible blend of animation and archive that bears witness to the Armenian genocide through the eyes of survivor and Hollywood silent star Aurora Mardiganian.