DOK Leipzig 2023: The Verdict
With its socially and politically engaged agenda, DOK Leipzig’s 66th edition felt especially timely this year during a major period of global turbulence.
With its socially and politically engaged agenda, DOK Leipzig’s 66th edition felt especially timely this year during a major period of global turbulence.
Peter Mettler’s personal and poetic reflection ‘While the Green Grass Grows’ wins DOK Leipzig’s Golden Dove as best international documentary.
Lina Soualem is touring global festivals with her very personal documentary’ Bye Bye Tiberias’, in “a moment of great tragedy and despair”.
‘El Shatt’, a commune established by 28,000 Dalmatian Croats in colonial Egypt where they fled Nazi persecution in 1944, is remembered in Ivan Ramljak’s romanticized but well-researched documentary.
Documentary director Matthew Lancit addresses his existential health fears through horror movie tropes in ‘Play Dead!’. a compelling hybrid blend of non-fiction and playful fakery.
‘One Hundred Four’ is the number of refugees stranded on one of the world’s deadly smuggling routes, the Mediterranean, in Jonathan Schörnig’s real-time documentary.
Mass wig exportation becomes the lens through which the fascinating, spectral doc An Asian Ghost Story explores Hong Kong’s late 20th-century modernisation and position between East and West.
A hard-hitting immersion into life and death under Russian invasion in eastern Ukraine, ‘White Angel – The End of Marinka’ is seen through an evacuation team’s GoPro helmet footage.
Director Katrin Rothe’s animated bio-documentary hybrid ‘Johnny & Me’ brings to life the visually striking photomontage work of pioneering political artist John Heartfield.
One of the traditional fables of Sang Kancil, the wily mouse-deer, is brought exquisitely to life in Zhang Xu Zhan’s electrifying, otherworldly animation, Compound Eyes of Tropical
The feted Austrian documentary maker talks about capturing the Coronavirus crisis on camera, filming in perilous places, and his life-changing rejection from film school.
A married LGBTQ+ couple worry if a future Armenia will honour the rights of their non-conventional family, in this intimately observational, activism-based doc.
In the complex and thought-provoking essay film, Lumene: Privatisation, David Shongo reflects on the commodification of cultural memory and the lasting impacts of insidious colonial impositions.
German director Jürgen Ellinghaus retraces the West African travels of a silent-era film director in ‘Togoland Projections’, a dry but engaging documentary about European colonialism’s screen legacy.
Maria Fredriksson plunged into the doc-making deep end for her debut feature ‘The Gullspång Miracle’, screening at DOK Leipzig.
Austrian documentary maker Nikolaus Geyrhalter’s symphonic Covid chronicle ‘The Standstill’ plays like a slow-motion disaster movie with immersive widescreen visuals.
Asmae El Moudir’s ‘The Mother of All Lies’ embodies both sides of DOK Leipzig’s festival identity.
An ostensibly simplistic documentary about a flat in Kyiv, Three Windows on South West uses incidental memories to paint a fleeting collective portrait of another time.
Spanish animator, author and producer Isabel Herguera bings her first feature to DOK L — a masterfully evocative work on feminism and women’s lives, ‘Sultana’s Dream’.
Masses seduced by past imperialistic might and activists seeking change present clashing public spectacles in Marianna Kaat’s punchy, broad-strokes doc on modern Russia.
The head of the world’s oldest documentary film festival talks controversial programming choices, magical public screenings, and the need to learn from uncomfortable history lessons.
Eerie, gripping and expertly crafted, Maria Fredriksson’s mind-bending doc takes myriad twists through a Nordic family mystery.
A trio of documentarians traverse the forbidding digital landscapes of an online survivalist video game to explore the communities that have emerged there in this verité machinima, Knit’s Island.