Munich


God is a Beetle

God is a Beetle

Felix Herrmann’s hybrid film is an occasionally dry but frank examination of faith, feminism, and ambition in the modern world.

Mother

Mother

German writer-director Carolin Schmitz takes a journey from here to maternity in her fresh but slight docu-drama hybrid ‘Mother’.

Butterfly Vision

Butterfly Vision

Maksym Nakonechnyi’s carefully calibrated drama about a young Ukrainian woman soldier who returns home in a prisoner exchange, tortured and pregnant, projects a more human, less heroic view of the Ukraine-Russia war while it affirms a woman’s right to choice vis-à-vis maternity.

Everybody Wants to be Loved

Everybody Wants to be Loved

Katharina Woll handles her delightful debut feature film with the grace and sensitivity of a much more experienced filmmaker, with a hand from lead actress Anne Ratte-Polle.

It’s In Us All

It’s In Us All

A random tragedy exposes the dark heart of a rural Irish community in ‘It’s In Us All’, the absorbing debut feature from actor-director Antonia Campbell-Hughes.

Performer

Performer

An otherwise solid examination of a young man’s masculinity dircted by newcomer Oliver Grüttner isn’t quite sure if it seeks to praise or condemn.

Carajita

Carajita

Class and race intersect in a suspenseful drama set in the Dominican Republic, where loyalties get tested when a Black nanny raises the spoilt brat of a wealthy white family.

The Ordinaries

The Ordinaries

A richly satirical sci-fi allegory with an edge of biting social commentary, writer-director Sophie Linnenbaum’s impressive feature debut ‘The Ordinaries’ is anything but ordinary.

Awards Corner

Munich

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