San Sebastian 2023: The Verdict
This year’s San Sebastian was a sunny festival filled with discoveries.
This year’s San Sebastian was a sunny festival filled with discoveries.
Jaione Camborda’s delicate drama of a midwife, ‘The Rye Horn’, won the Golden Shell.
Canadian director Henry Bernadet paints a sunny patchwork portrait of multicultural Montreal in his collaborative teen-driven docu-drama ‘Gamma Rays’.
Víctor Erice maestro del cine español recibe el Premio Donostia en el SSIFF.
In equal parts fiercely amusing and roundly desolating, Robin Campillo’s ‘Red Island’, an offbeat look at the end of French colonialism in Madagascar, is a crowd-pleaser in San Sebastian’s Official Selection.
Rati Oneli’s phlegmatic drama, We Are the Hollow Men, depicts the difficult relationship between an estranged father and son when the latter returns home after his mother’s death.
Griffin Dunne, James Norton and Miles Heizer co-star in Noah Pritzker’s underpowered but charming ensemble drama ‘Ex-Husbands’. which pays fond homage to a lost analogue era of bittersweet New York comedies.
Revered Spanish filmmaker Victor Erice receives the Donostia Award at SSIFF.
Australian writer-director Kitty Green takes a hellish holiday in the badlands of toxic masculinity with her punchy feminist Outback thriller ‘The Royal Hotel’.
Celebrating the natural cycles of life in women’s ever-changing bodies, Jaione Camborda’s second feature ‘The Rye Horn’ is a moving period drama that touches on abortion laws in 1971 Spain.
History, folklore, and contemporary realities intertwine in Amma ki Katha, Nehal Vyas’ essayistic meditation on national aspiration and how stories become enmeshed in state oppression.
Ewan McGregor goes from IKEA to maternity in Swedish director Niclas Larsson’s muddled but ambitious debut ‘Mother, Couch!’, a surreal family farce set inside a giant furniture store.
El deslumbrante e imaginativo cuento animado de la directora española Isabel Herguera ‘El sueño de la sultana’ sobre una artista itinerante está inspirado en la pensadora feminista bengalí Rokeya Hossain y su cuento de 1905 sobre Ladyland, un país gobernado por mujeres.
A young woman must deal with the physical and psychological bruises of a sexual assault in Shaylee Atary’s powerful dramatic short, Single Light.
Spanish director Isabel Herguera’s exhilarating and imaginative animated tale about a roving artist is sparked by real-life Bengali feminist thinker Rokeya Hossain and her 1905 story about Ladyland, a country run by women.
Spanish directing duo Fernando Trueba and Javier Mariscal recreate a dark chapter in Brazilian musical history in their visually ravishing animated docu-fiction hybrid ‘Shoot the Piano Player’.
The 2012 Tohoku tsunami still holds an anguished Japanese-Singapore family in its clutches in ‘Last Shadow at First Light’, a complex, if at times overwritten, examination of survivors’ guilt in a first feature from Nicole Midori Woodford.
The road to love is paved with darkly surreal humour for Jessie Buckley and Riz Ahmed in Greek director Christos Nikou’s uneven but generally engaging low-fi sci-fi rom-com satire ‘Fingernails’.
Achingly poetic and daringly original, Raven Jackson’s first feature ‘All Dirt Roads Taste of Salt’ chooses to tell the story of a Black girl growing up in Mississippi through atmosphere instead of conventional narration.
Orlando, el extravagante manifiesto del director debutante Paul B. Preciado empuja los límites de los géneros masculino/femenino y también de los cinematográficos.
Godard reaches from beyond with one final film, a coarse and compelling act of montage, an expressive audiovisual treatment for a never-to-be-made made feature, Phony Wars.