Rotterdam 2025: The Verdict
The 54th edition of International Film Festival Rotterdam served up a cosmopolitan banquet of punky Balkan bio-drama and chilly Baltic brooding, arty African essay-films and mind-bending Mexican animation.
The 54th edition of International Film Festival Rotterdam served up a cosmopolitan banquet of punky Balkan bio-drama and chilly Baltic brooding, arty African essay-films and mind-bending Mexican animation.
Returning after last year’s dramatic cancellation, the 45th edition of the long-running Cairo festival had a rich international program but a special focus on strong films from Africa, the Middle East, Palestine and Egypt itself.
Sarajevo Film Festival’s 30th edition was a starry affair, balancing stories from the Balkan region’s dark past with signposts to a brighter future.
The 2024 Locarno Film Festival spotlighted the future in more ways than one.
The 58th edition of KVIFF featured Kafka-esque comedy, a strong international program and some controversial prize choices.
A disappointing, maddeningly self-indulgent plunge into the tensions and inequities in the kitchen of a Times Square eatery, designed as an anti-capitalist diatribe messily juggling personal and choral storytelling but saved to some degree by excellent chiaroscuro camerawork and a strong cast.
Rotterdam Film Festival’s 53rd edition balanced an uneven competition program full of sombre three-hour dramas with more adventurous sidebars, essay films, experimental video art and pop superstar guests.
With its socially and politically engaged agenda, DOK Leipzig’s 66th edition felt especially timely this year during a major period of global turbulence.
Germany’s premiere festival platform for rule-breaking indie cinema celebrated its 30th edition with audacious acid-punk UFO comedies, bleak kidnap thrillers and a ground-breaking peek into the multiverse.
The best thing about the 80th Mostra del Cinema was a stand-out film that almost all the critics were able to get behind and support wholeheartedly – and it won the Golden Lion for Best Film.
Punk rockers, kick-ass senior citizens and fresh new cinematic voices from Iran to India made for a strong edition of the long-running Czech fest.
As it finally returned from Covid-19 limbo under new artistic director Vanja Kaludjercic, the Dutch film festival reaffirmed its core mission to promote fresh, socially conscious, culturally rich cinema.
After a muted few years of Covid caution, the 63rd edition of My Big Fat Greek Film Festival was back in full Dionysian mode.
The 65th edition of East Germany’s longest-running independent film festival offered a lively mix of parties and premieres, critical voices and formal experiments.
The emphatically indie small-town German fest continues to make a big splash with its eclectic mix of art-house, cult, experimental and left-field genre movies.
The Balkan region’s prime cinematic gathering bounced back from pandemic shutdown with a strong film program, starry guests and plenty of party attitude.
Croatian director and actor Juraj Lerotic was the big winner at Sarajevo, taking home both the Best Film and Best Actor prizes for his sensitive and devastating feature ‘Safe Place’.
Brazilian director Julia Murat’s bold, brave and important feature ‘Rule 34’ (‘Regra 34’) walked off with the Pardo d’oro for best film at Locarno in a surprise win.
Saudi Arabia takes a big step forward with an international culture event in Jeddah that, for all the glitches, showcased the modern and rapidly changing face of its society.
The grand old lady of Middle Eastern film festivals has matured into a modern, major cultural event for Egypt, whose emphasis is more on filmmakers than the red carpet.
Before its last day was cancelled, IDFA often proved it had found a sweet spot between a filmmaker’s vision and a challenge for its audience.
Celebrating its 25th edition with a strong post-Covid comeback, the boutique Baltic festival served up a feast of monochrome Cold War nostalgia and colourful experimental fare.
The 65th London Film Festival was a welcome return to pre-Covid notions of cinema as communal celebration and politically conscious art form, but a bumpy ride for press and industry professionals.