OSCARS 2025

Mai Martaba Mai Martaba

Mai Martaba

A strong international introduction to the Hausa-speaking filmmaking of Kannywood, Nigeria’s Oscar submission ‘Mai Martaba’ is an adventure tale drawing on themes of power, gender, and political legacy.

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Nawi film still Nawi

Nawi

‘Nawi’ is one of those rare films that, despite the weighty seriousness of its subject, stays afloat cinematically.

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Russian Consul

Russian Consul

Miroslav Lekic recounts the origins of the Kosovo conflict in ‘Russian Consul’, Serbia’s submission for the 97th Academy Awards.

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yara Yana Wara

Yana Wara

Peru’s Oscar entry ‘Yana Wara’ is a poignant outcry against gender violence suffered by an indigenous Aymara girl who is haunted by malignant spirits, in a story set in the bleak and beautiful Peruvian Highlands.

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yana 2 Cine Verdict Yana Wara

Cine Verdict Yana Wara

La propuesta del Perú al Oscar Internacional es una conmovedora denuncia contra la violencia de género sufrida por una niña indígena aymara, atormentada por espíritus malignos, en una historia ambientada en el hermoso y desolado altiplano andino peruano.

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Antique The Antique

The Antique

A troubled, politically entangled premiere in Venice’s Giornate degli Autori has partly overshadowed Rusudan Glurjidze’s wistful Georgian comedy that cleverly targets Georgian-Russian relations.

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Family Time

Family Time

Tia Kouvo impresses with her feature debut ‘Family Time’, a very personal drama set in her hometown Lahti.

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José Ramón Barreto en Vuelvealavida

CineVerdict: Vuelvealavida

En tono de comedia y apoyada en el encanto de sus jóvenes protagonistas ‘Vuelvealavida’ entra a la pelea de los Óscares por la mejor película internacional por Venezuela

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Still from Imprinting (2024)

Imprinting

A man goes on a psychological and emotional journey into his subconscious in this lavishly mounted but somewhat perplexing short from Andrea Ciavatta, Imprinting.

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Still from The Man Who Could Not Remain Silent (2024)

The Man Who Could Not Remain Silent

A passenger train witnesses an act of ethnic cleansing in ‘The Man Who Could Not Remain Silent’, a well-drawn portrait of the wary silence of complicity that allows evil to triumph. Winner of the Palme D’Or – Short Film at Cannes.

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