Navalny
Director Daniel Roher’s gripping documentary about the poison plot against Russian opposition activist Alexei Navalny gains extra urgency in the light of Vladimir Putin’s brutal invasion of Ukraine.
Danish documentary filmmaker Lin Alluna’s feature-length debut veers away from the political to reveal the internal conflicts tearing at the Greenland-born, Denmark-educated and Canada-based Inuit civil rights activist Aaju Peter.
Scottish director Jono McLeod’s debut documentary ‘My Old School’ is a highly entertaining account of an outlandish fraud and its lingering aftershocks.
This frequently perplexing sci-fi musical has a lot to say about the politics of race, but its true triumph is its music and gorgeous visuals.
This involving documentary captures the plight of the Uru-eu-wau-wau community fighting for its land in the Amazon.
‘Babysitter’ steers clear of preachiness in its half-scolding and often amusing examination of sexual and sexist attitudes in the wake of #MeToo.
Snow Hnin Ei Hlaing’s first feature-length documentary offers a mellow and intimate portrait of two midwives – one a Buddhist, the other Muslim – who defy the deadly inter-communal conflict around them to become friends and health care providers for their poverty-stricken communities.
Three high school girls in Finland pursue love and orgasm in Alli Haapasalo’s frank and often warmly emotional tale aimed at teen audiences.
Young American missionaries from the Church of the Latter-Day Saints set off to convert the dubious inhabitants of Finland in Tania Anderson’s paradoxical but respectful documentary.
A powerful documentary chronicle of children left abandoned by the conflict in Ukraine won the Golden Alexander at the Thessaloniki Documentary Festival.
This colorful portrait of a golden-aged Florida dance troupe doubles as a statement on friendship and female liberation.
Adapted from Lizzy Gordon’s feted book Meet Me in the Bathroom, this archive-heavy rock documentary is a bohemian rhapsody for a lost New York.
Animal rights activists will applaud this Sundance premiere set in Chile’s rainforest, a lyrical fable that mixes ecological apocalypse, gender transition and phantasmagorical rebirth.
Sundance premieres a spellbinding portrait of life in the Bolivian Andes, where a drought threatens the livelihood of an elderly Quechua couple and their herd of llamas.
When a Danish couple visits a Dutch couple they barely know, polite discomfort dissolves into horror as Christian Tafdrup’s social comedy of manners goes Gothic dark.
Director Kathryn Ferguson’s engaging music documentary Nothing Compares explores Sinéad O’Connor’s legacy as both icon and iconoclast, with input from the scandalous singer herself.
A female bodybuilder tries her hand as an escort in order to pay for her steroids and supplements in this beautifully calibrated, exceptionally well-played feature that digs deep inside its characters, forcing audiences to upend initial conceptions while weaving a memorable, lingering spell.
Martika Ramirez Escobar’s audacious first feature is a maniacally meta love letter to Philippine cinema, but its films-within-a-film structure and nods to wildly different genres suffer from the lack of a substantial story.
An insightful exploration of youth, ambition, romance, and meaning through the lens of a young woman you both identify with and love to hate.