Toronto 2023

1406017 thepeasants 104217 The Peasants

The Peasants

Luminous hand-painting animates a famed Polish tale of female defiance in a rural world of predatory opportunism and survival.

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A still from City of Wind

City of Wind

In ‘City of Wind’, Mongolia’s Academy Award hopeful which has already collected prizes at Venice and Pingyao, director Lkhagvadulam Purev-Ochir offers a charmingly intimate look at a gifted young city-dwelling shaman.

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"Not A Word" directed by Hanna Slak

Not A Word

Nina Palcek follows Lydia Tár in managing Mahler’s 5th with a spiralling personal life in slow-burn thriller ‘Not A Word.’

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"Woodland" directed by Elisabeth Scharang

Woodland

‘Woodland’ is an exploration of generational trauma and healing that feels more like a sketch than portrait.

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Memory Peter Sarsgaard, Jessica Chastain

Memory

Mexican director Michel Franco follows up his unsettling but well-liked Tim Roth thriller ‘Sundown’ with ‘Memory’, a paint-by-numbers romance/family drama starring Jessica Chastain as an emotionally damaged social worker in Brooklyn

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A still from Snow Leopard.

Snow Leopard

Rural herders, urbanite journalists and a young monk consider the fate of a captured, livestock-ravaging wild animal in “Snow Leopard”, an affective, nuanced and multilayered film bowing out of competition at Venice four months after the death of its Tibetan director Pema Tseden.

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Hit Man

Hit Man

Richard Linklater’s farce about a phony hired killer is charming and unpredictable, but it would benefit from dropping the “based on a true story” angle.

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Hiam Abbass, Lina Soualem

Bye Bye Tiberias

Directed by Hiam Abbass’s daughter Lina Soualem, this beautifully layered, quietly intelligent documentary explores her female-centric family’s experiences of dispossession and exile following the 1948 Nakba, seeking to break the silence surrounding trauma.

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Evil Does Not Evil Does Not Exist

Evil Does Not Exist

Starkly opposing views of nature collide in Ryusuke Hamaguchi’s ‘Evil Does Not Exist’ which, despite its portentous title, is simplicity itself and in a minor key after ‘Drive My Car’.

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George Mackay, Léa Seydoux

The Beast

The inability to open oneself to love is the main beast of Bertrand Bonello’s striking and cerebral film that follows a stalled relationship over three time periods, though the message in the central portion doesn’t have the same resonance as the other two.

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An Endless Sunday Una sterminata domenica

An Endless Sunday

Dazzling camerawork and an exceptional trio of teenage actors dangle from a weak narrative thread in Alain Parroni’s intense first feature about underprivileged kids growing up without a future.

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Upon open sky

Upon Open Sky

‘Upon Open Sky’, a Mexican road movie full of restraint and some surprises, premieres in Venice’s Orizzonti section.

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God is a woman, Laida Diaz de Prestan

God is a Woman

God is a Woman, nearly fifty years after a film documenting Panama’s Kuna community was lost, Swiss-Panamanian director Andrés Peyrot tracks it down and screens it before an emotionally engaged crowd in this fascinating though flawed documentary.

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Chuck Chuck2 Chuck Chuck Baby

Chuck Chuck Baby

Debut director Janis Pugh’s off-beat musical rom-com ‘Chuck Chuck Baby’ is a rough-edged but warm-hearted celebration of working-class dreamers and queer liberation.

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