Two Prosecutors
Sergei Loznitsa’s masterfully controlled, mordantly absurd drama on the fate of a just idealist in Stalin’s USSR is a timely warning on the workings of state terror.
Sergei Loznitsa’s masterfully controlled, mordantly absurd drama on the fate of a just idealist in Stalin’s USSR is a timely warning on the workings of state terror.
Sepideh Farsi’s documentary ‘Put Your Soul on Your Hand and Walk’ is a devastating yet profoundly human portrait of photojournalist Fatma Hassona and her life under siege in Gaza.
The Dardenne brothers tell another understated story of slices of female life with “Young Mothers”, winner of the Best Screenplay award in Cannes.
Some of the best discoveries of Asian cinema at Cannes this year took place in the Classics programme, with overlooked auteurs from marginal countries receiving belated acclaim.
The diversity of art was a running theme at the 78th Cannes Film Festival, where an Iranian filmmaker won the Palme d’Or and Japan emerged strong.
Director Tarik Saleh closes his Cairo trilogy with ‘Eagles of the Republic’, a daring political fantasy thriller set in the Egyptian movie industry, starring a magnetic Fares Fares.
Outspoken Iranian director Jafar Panahi takes the Palme d’Or with his daring ‘It Was Just an Accident’.
Never has the world felt closer to the threats of rising fascism described by George Orwell than now, as filmmaker Raoul Peck (‘I Am Not your Negro’) lucidly shows in his new documentary ‘Orwell: 2+2=5’.
En la competencia por la Palma de Oro, el 3er. largometraje de la cineasta española Carla Simón, Romería, ofrece un apasionante drama familiar que gira en torno a una joven en su búsqueda por la verdad sobre la muerte prematura de su padre.
Joachim Trier makes a powerful return to the Cannes Competition with “Sentimental Value”, a meditation on art, family and depression with a distinctly Nordic flair.
In Saeed Roustaee’s ‘Woman and Child’, a young widow loses control when her son dies, in a well-made, well-acted and unrestrained Iranian melodrama gauged primarily to local audience tastes.
Jafar Panahi has never been more explicit in denouncing the torture political prisoners are subjected to in Iran, or the furious longing for revenge that haunts the state’s victims, than in ‘It Was Just an Accident’.
A dazzling if confusing thriller set in 1977 Brazil during the worst years of the dictatorship, ‘The Secret Agent’ finds actor Wagner Moura embroiled in a deadly cat-and-mouse game with the corrupt police of Recife.
Humor negro, ironía y desafío de los estereotipos cinematográficos hacen de ‘Un poeta’ una comedia para ser disfrutada.
Kirill Serebrennikov’s muscular biopic ‘The Disappearance of Josef Mengele’ about the elusive Nazi fugitive is a real-life horror story, sprawling at times but powered by strong performances and great visual swagger.
Lynne Ramsay returns to the big screen with the peculiar Cannes Competition entry ‘Die My Love’, starring Jennifer Lawrence and Robert Pattinson.
Stéphane Demoustier directs an elegant film about the dilemma of creators on a real-life project.
A devout young Muslim woman struggles to reconcile faith with being lesbian in Hafsia Herzi’s ‘The Little Sister’, celebrating the LGBTQIA culture in Paris in its many aspects as it explores how religion and sexuality shape self-identity.
Since 2004, the Cannes Film Festival has actively devoted part of its programming to restored gems, via the Cannes Classics strand.