Skill Issue
Teens scrutinise each other on a hot summer’s day at the river and drift off into the wilderness in this unique, mysterious German coming-of-ager.
Teens scrutinise each other on a hot summer’s day at the river and drift off into the wilderness in this unique, mysterious German coming-of-ager.
Fresh from awards in Locarno, Georgian director Tato Kotetishvili spoke about integrating reality and trusting in magic with debut feature Holy Electricity.
Beloved American actor John Turturro spoke of depicting eccentrics, early typecasting, and the realities of mental health care to a rapt masterclass audience in Sarajevo.
Kamal Aljafari reclaims and re-envisages looted images from Beirut’s Palestine Research Centre in his moving and enigmatic intervention into the territory of memories.
Teona Strugar Mitevska’s surrealistic vision of a Sarajevo dating event turned lab for reconciliation is refreshing and offbeat in grappling with the Siege’s legacy.
Gergo Somogyvari’s humanistic doc portrait of life in the woods on Budapest’s margins spotlights the criminalisation of LGBTQ+ people and the homeless by Orban’s government.
Emotional highs and lows marked a politically charged Sarajevo edition that saw one day cancelled in solidarity against gender-based violence.
Croatian documentary maker Goran Devic charts a decade-long battle for workers’ rights in ‘What’s to be Done?’, an engaging blend of reportage and artfully meta touches.
Sarajevo Film Festival shut down its Wednesday schedule to honour a National Day of Mourning after a femicide in Gradacac and protests.
The prize-winning Romanian director discusses his found-footage docu-fiction hybrid film ‘Between Revolutions’, clandestine screenings in Iran, and the political power of cinema.
The long fingers of the Kosovo War reach into the present in Sovran Nrecaj’s patient and stark documentary about Fran and Verka’s isolated life in an abandoned village.
Kumjana Novakova masterfully contextualises archival testimony in her sensitive, formally inventive reckoning with violence against women as a weapon of the Bosnian War.
Globally feted Scottish writer-director Lynne Ramsay has carved a slender but unique body of work shaped by uncompromising attitude and aesthetic flair.
Jennifer Reeder discusses her new mind-bending avant-horror film ‘Perpetrator’, kick-ass gender-queer heroines, and the subversively surreal power of genre cinema. Showing in Sarajevo International Film Festival
The Balkan region’s prime cinematic gathering bounced back from pandemic shutdown with a strong film program, starry guests and plenty of party attitude.
Croatian director and actor Juraj Lerotic was the big winner at Sarajevo, taking home both the Best Film and Best Actor prizes for his sensitive and devastating feature ‘Safe Place’.
The past is a foreign country full of shadowy horrors in ‘The Eclipse’, Serbian director Nataša Urban’s prize-winning documentary about unreliable memory and collective amnesia.
This engrossed fly-on-the-wall style documentary follows a group of Bulgarian football hooligans, detailing their highs and lows in a changing world.
This portrait of a musical prodigy brims with the same energy as its subject’s piano playing while depicting the boy as well as the talent.
Serbian director Mladen Kovacevic finds echoes of the current Covid pandemic in Europe’s last smallpox outbreak in his artful, atmospheric found-footage documentary ‘Another Spring’.
Raw, authentic emotion and inventive lyricism combine in Juraj Lerotic’s sensitive, devastating reckoning with an acute mental health crisis in the family.
A murder cover-up in a corrupt town is the catalyst for an inept police chief’s crisis of conscience in Paul Negoescu’s downbeat portrait of masculinity in meltdown ‘Men of Deeds’.
This deceptively simple documentary explores the nature of creation by juxtaposing the work of Ukrainian sculptors who’ve turned their hands to the war effort.
The celebration of a forthcoming marriage is depicted with poignancy and subtlety in Lola Cambourieu and Yann Berlier’s intimate short.
A twisted sister at an all-girl Catholic school pushes her fanatical faith to dangerous extremes in Ruth Mader’s gripping psycho-horror thriller ‘Serviam – I Will Serve’.