Rotterdam 2025: The Verdict
The 54th edition of International Film Festival Rotterdam served up a cosmopolitan banquet of punky Balkan bio-drama and chilly Baltic brooding, arty African essay-films and mind-bending Mexican animation.
The 54th edition of International Film Festival Rotterdam served up a cosmopolitan banquet of punky Balkan bio-drama and chilly Baltic brooding, arty African essay-films and mind-bending Mexican animation.
In her sprawling but boldly original debut feature ‘Red Stars Upon the Field’, Laura Laabs turns the hidden skeletons of German history into a maximalist magical murder mystery tour.
Original, sophisticated films that pushed the limits of fiction and documentary were recognized by juries at this year’s Tiger awards.
Jeppe Rønde’s psychologically complex yet tender drama delves into the world of trauma healing and cults without sensationalism, preferring to raise questions rather than supply answers.
Science fact is stranger that science fiction in this tonally flat but fascinating documentary profile of controversial dolphin whisperer, inner-space psychonaut and LSD enthusiast John C. Lilly.
Portuguese documentary-maker José Filipe Costa swerves towards fictional-feature territory in ‘Our Father – The Last Days of a Dictator’, a stylistically measured yet quietly glorious character study of the ousted tyrant Salazar.
The only African film in this year’s IFFR Tiger Competition, Sammy Baloji’s ‘The Tree of Authenticity’ offers a much-needed disruption to Belgian colonial archives, which dominate historical narratives in Congo.
Tying together disparate locations in Northern England and Jamaica, Hope Strickland’s evocative boat ride, ‘a river holds a perfect memory,’ explores the interrelations between labour, memory and rivers.
Stefan Djordjevic’s sensitive doc portrait of grief and nature’s endless capacity for renewal is a gem of small gestures and surreal moments.
Ostensibly about the preservation of an ancient language, Eva Giolo’s essay film ‘Memory Is an Animal, It Barks with Many Mouths’ combines linguistics with landscape and myth to captivating effect.
Indonesian filmmaker Harung Bramatyo makes his first foray at a top-ranked international festival with “Gowok: Javanese Kamasutra’, a visually arresting cross-generational melodrama charting an appre’tice sex tutor’s entangled emotions about love and emancipation.
A mother unadvisedly leaves her two young sons home alone in Don’t Leave the Kids Alone chaotic but largely entertaining Mexican haunted house horror.
Igor Bezinovic engages citizens of his Croatian hometown in a rigorously researched, irreverently punk re-enactment of its brief occupation by Italian poet and self-styled dictator Gabriele D’Annunzio.
Traditional fruit cultivation becomes a source of archival fascination in Common Pear, a sci-fi documentary hybrid set amidst environmental collapse.
Daniel Hoesl’s latest skewering of the excesses of the mega-rich is a mesmeric and doomy doc hybrid about the Casino di Campione, Europe’s largest casino.
The third work in Lawrence Lek’s trilogy on disobedient driverless cars, Empty Rider explores autonomy and responsibility through a futuristic AI show trial.
Ivan Salatic’s magnificently moody, intelligent and doom-laden vision of Montenegrin freedom fighting and exile questions the formation and undoing of national myth.
Colombian writer-director Gala del Sol’s stylish debut feature ‘Rains Over Babel’ is an audacious, ambitious, kaleidoscopic carnival of queerness loosely based on Dante’s ‘Inferno’.
Wilhelm and Anka Sasnal channel the spirit of cult modernist Robert Walser in this strange, caustic “repainting” of his novel about a beleaguered assistant.
Two troubled teenage sisters share a spookily close bond in actor turned director Ariane Labed’s patchy but atmospheric feature debut ‘September Says’.
TFV spoke with Marten Rabarts, the newly appointed Head of IFFR Pro, to discuss the industry side of the festival.
Sakha cinema pioneer Aleksei Romanov reworks an eerie Yakut tale for an intriguing mix of ethnographic detail, anti-imperial defiance and bone-deep chill.
TFV spoke to IFFR’s directors, Vanja Kaludjercic and Clare Stewart, about the 2025 edition and what they have planned beyond that.