Sarajevo 2023

Fairy Garden main Fairy Garden

Fairy Garden

Gergo Somogyvari’s humanistic doc portrait of life in the woods on Budapest’s margins spotlights the criminalisation of LGBTQ+ people and the homeless by Orban’s government.

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Still from What's to Be Done (2023)

What’s to be Done?

Croatian documentary maker Goran Devic charts a decade-long battle for workers’ rights in ‘What’s to be Done?’, an engaging blend of reportage and artfully meta touches.

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1681725872338 Europa

Europa

Sudabeh Mortezai’s caustic, unique take on a shadowy corporation expanding into Albania is part neo-colonial satire, part dystopian thriller.

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Still from Bottlemen (2023)

Bottlemen

Director Nemanja Vojinovic’s visually striking documentary ‘Bottlemen’ finds poetry and beauty among the workers scrabbling to make a living from a giant Serbian trash mountain.

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517939a8 3097 4e1b bba4 2b78263a708d Silence of Reason

Silence of Reason

Kumjana Novakova masterfully contextualises archival testimony in her sensitive, formally inventive reckoning with violence against women as a weapon of the Bosnian War.

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Medium (2023), Sarajevo International Film Festival

Medium

With ‘Medium’, Greek filmmaker Christina Ioakeimidi adapts Giorgos Sibardis’ novel about a 16-year-old girl coming of age across a scorching Athens summer. Premiered in Sarajevo International Film Festival

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Still from Lost Children (2023), Sarajevo International Film Festival,

Lost Children

With ‘Lost Children’ Lola Cambourieu and Yann Berlier have created an aching, poignant and keenly observed depiction of a dislocated father-daughter relationship, premiered in Sarajevo International Film Festival,

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Sarajevo International Film Festival, Permanent Picture

The Permanent Picture

An elegant, playful exploration of the consolatory but deceptive nature of image-making across generations, from Catalan director-to-watch Laura Ferres is showing in Sarajevo International Film Festival,

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Still from Self-Portrait Along the Borderline (2023), Sarajevo International Film Festival

Self-Portrait Along the Borderline

The personal and the political entangle in Self-Portrait Along the Borderline, Anna Dziapshipa’s excellent essay doc about Georgian-Abkhazian relations through the lens of her own family history. It is competing in Sarajevo International Film Festival

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Libertade, Sarajevo International Film Festival

Libertate

A chaotic power struggle plays out in 1989 Transylvania, in Tudor Giurgiu’s cynical, directionless drama of civic breakdown and compromise, is showing in Sarajevo International Film Festival

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Still from Valerija (2023), Sarajevo International Film Festival

Valerija

Sara Jurincic’s experimental documentary Valerija charts an act of communion with long-deceased relatives, probing playfully at perceptions of remembrance and lineage. It screens in Sarajevo International Film Festival

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De facto, Sarajevo International Film Festival

De Facto

Selma Doborac’s formally audacious, challenging and chilling ‘De Facto’, a doc-fiction hybrid, decontextualises war crimes testimony to plumb the power of language. In Sarajevo International Film Festival

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Lost Country Lost Country

Lost Country

A teen comes of age as a troubled Serbia reckons with its direction in ‘Lost Country’, Vladimir Perisic’s sombre yet astute, politically-charged drama.

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EXCURSION Excursion

Excursion

Una Gunjak’s sensitive, richly textured Bosnian coming-of-ager about a lie’s repercussions questions sexual double standards in a society of repressed fears.

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kiss future1 Kiss The Future

Kiss The Future

Director Nenad Cicin-Sain’s engaging but slightly fawning documentary ‘Kiss The Future’ chronicles Irish rock supergroup U2’s love affair with war-torn Sarajevo during the Balkan wars.

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