The Happiest Man in the World
Teona Strugar Mitevska’s surrealistic vision of a Sarajevo dating event turned lab for reconciliation is refreshing and offbeat in grappling with the Siege’s legacy.
Teona Strugar Mitevska’s surrealistic vision of a Sarajevo dating event turned lab for reconciliation is refreshing and offbeat in grappling with the Siege’s legacy.
Elene Naveriani’s wry celebration of feminist non-conformity from Georgia took topped the awards at Sarajevo.
Gergo Somogyvari’s humanistic doc portrait of life in the woods on Budapest’s margins spotlights the criminalisation of LGBTQ+ people and the homeless by Orban’s government.
Emotional highs and lows marked a politically charged Sarajevo edition that saw one day cancelled in solidarity against gender-based violence.
The quietude of a bucolic life, and the deep wordless bonds between a mother and son, lie at the heart of Giorgi Parkosadze’s serene doc, ‘Requiem to the Hot Days of Summer.’
Croatian documentary maker Goran Devic charts a decade-long battle for workers’ rights in ‘What’s to be Done?’, an engaging blend of reportage and artfully meta touches.
Sarajevo Film Festival shut down its Wednesday schedule to honour a National Day of Mourning after a femicide in Gradacac and protests.
The prize-winning Romanian director discusses his found-footage docu-fiction hybrid film ‘Between Revolutions’, clandestine screenings in Iran, and the political power of cinema.
The long fingers of the Kosovo War reach into the present in Sovran Nrecaj’s patient and stark documentary about Fran and Verka’s isolated life in an abandoned village.
Kumjana Novakova masterfully contextualises archival testimony in her sensitive, formally inventive reckoning with violence against women as a weapon of the Bosnian War.
Belfast-born documentarian Mark Cousins, returning to Sarajevo after 29 years, gave a masterclass on his career and creative inspirations.
Domonkos Erhardt’s student short ‘From the Corner of My Eyes’ uses the malleability of the animated image to great effect to capture a miniature moment of connection.
With ‘Lost Children’ Lola Cambourieu and Yann Berlier have created an aching, poignant and keenly observed depiction of a dislocated father-daughter relationship, premiered in Sarajevo International Film Festival,
An elegant, playful exploration of the consolatory but deceptive nature of image-making across generations, from Catalan director-to-watch Laura Ferres is showing in Sarajevo International Film Festival,
Globally feted Scottish writer-director Lynne Ramsay has carved a slender but unique body of work shaped by uncompromising attitude and aesthetic flair.
Jennifer Reeder discusses her new mind-bending avant-horror film ‘Perpetrator’, kick-ass gender-queer heroines, and the subversively surreal power of genre cinema. Showing in Sarajevo International Film Festival
Kaufman’s style could be deemed ‘screwball,’ could be deemed ‘surreality,’ and should probably be called ‘Screw Reality’. He is honored in Sarajevo International Film Festival
The personal and the political entangle in Self-Portrait Along the Borderline, Anna Dziapshipa’s excellent essay doc about Georgian-Abkhazian relations through the lens of her own family history. It is competing in Sarajevo International Film Festival
Once again, the Avant Premiere Series lineup aims to explore the best of regional TV production in Sarajevo International Film Festival
A teen comes of age as a troubled Serbia reckons with its direction in ‘Lost Country’, Vladimir Perisic’s sombre yet astute, politically-charged drama.
Lynne Ramsay, Charlie Kaufman and Mark Cousins Are Honoured at the 29th Sarajevo Film Festival.
Director Nenad Cicin-Sain’s engaging but slightly fawning documentary ‘Kiss The Future’ chronicles Irish rock supergroup U2’s love affair with war-torn Sarajevo during the Balkan wars.