Gagaland
A street dance craze becomes a way of life for kids live-streaming from the social margins, in this psychedelic celebration of self-expression.
A street dance craze becomes a way of life for kids live-streaming from the social margins, in this psychedelic celebration of self-expression.
Director Jessica Woodworth’s monochrome anti-war drama ‘Luka’ is visually stunning but weighed down by its ponderous, pretentious tone.
Actor-director duo Artemis Shaw and Prashanth Kamalakanthan make inventive use of vintage lo-fi video technology for ‘New Strains’, a slight but hugely charming pandemic rom-com.
The black-humoured snapshot of a disorderly Georgian seaside community where love and crime bring scant reward.
An isolated Danish family encounter spooky doubles of themselves in ‘Superposition’, a twist-heavy psycho-thriller from first-time feature director Karoline Lyngbye.
A runaway tiger means extra trouble for a strife-torn married couple in Romanian director Andrei Tanase’s engaging but slight feline chase drama ‘Day of the Tiger’.
Director Ami-Ro Sköld blends live action with stop-motion animation in ‘The Store’, an impressive social drama which takes place in a Swedish supermarket.
Unexpected formal flourishes can only spice up conventional ideas on tormented genius in this take on the life of Norway’s Expressionist painter Edvard Munch.
Jakub Piatek’s classical music documentary covers the prestigious Chopin Competition, presenting a group of talented kids in a story that starts slow but becomes truly buoyant in its final third.
Danish documentary filmmaker Lin Alluna’s feature-length debut veers away from the political to reveal the internal conflicts tearing at the Greenland-born, Denmark-educated and Canada-based Inuit civil rights activist Aaju Peter.
A timely and compassionate Sundance documentary premiere, ‘The Stroll’ puts a highly personal spin on New York City’s hidden history of black transgender sex workers
Kiti Manver plays a religious grandmother who accidentally discovers online porn, igniting a comedy that empowers older women while poking fun at Spain’s dwindling Catholic faithful.
Dusan Milic’s psychological thriller-cum-horror set in post-war Kosovo excels in creating an unsettling atmosphere, but its conclusion doesn’t quite deliver on its promise.
Palestine’s Oscar submission is an uneven story of a depressed man hoping to get his neighbor to bump him off, told in a vaguely black comedy manner.
Scott Hamilton Kennedy’s conventional but compelling documentary ‘Shot in the Arm’ examines the anti-vaccine movement before, during and after the Covid-19 pandemic.
Brad Pitt and Margot Robbie lead a starry cast in ‘Babylon’, Damien Chazelle’s huge, ambitious but flawed love letter to Hollywood in the Roaring Twenties.
As a quick perusal of The Film Verdict’s Oscar coverage shows, the Academy Awards are no longer an exclusively or even a mostly American thing. With our reviews, interviews and profiles, we have tried to capture the world-wide excitement of filmmakers and producers competing for Best International Feature Film, with entries coming from the 92 […]
The Estonian filmmaker talks about the unwittingly timely release of ‘Kalev’.
La difícil situación de los indígenas ayoreo, la última tribu en evitar el contacto y reclamar sus territorios en la selva del Chaco paraguayo, se plasma de forma minuciosa y poética en este drama que se estrenó en Rotterdam y es candidata al Oscar Internacional 2023 por Paraguay.
Un sutil estudio de personajes que explora con éxito el sentimiento de culpa, el deber filial, y las relaciones laborales entre un joven peón y su patrón, ambientado en las vastas plantaciones de soja a lo largo de la frontera entre Uruguay y Brasil.
La premiada road movie de la escritora y directora colombiana Laura Mora es una carta de amor desordenada pero con gran corazón para los que carecen de afecto
Oscars voters have always had a soft spot for movies about movies – and Last Film Show should very much fit their bill as they survey the candidates for the Best International Film Academy Award. India’s submission for the category is a lushly-lensed feature aimed squarely at showcasing the magical allure of film and the […]
El realismo mágico se encuentra con la degradación ambiental en un austero relato costarricense sobre la resistencia de un viudo contra los constructores sin escrúpulos.
El maestro mexicano Alejandro G. Iñárritu (‘Birdman’, ‘The Revenant’) hace un paréntesis para un proyecto muy personal con matices autobiográficos y cinematográficos.
Lorenzo Vigas continúa con su visión crítica de las figuras paternas y las implicaciones más amplias de la ausencia paterna en esta sutil historia de madurez anclada en la excepcional presencia de su joven protagonista.
Un complejo thriller basado en un escándalo verdadero de abusos sexuales que involucra a políticos chilenos, sacerdotes, empresarios y niños desamparados, donde nadie es totalmente inocente o culpable.
Sundance estrena un fascinante retrato de la vida en los Andes bolivianos, donde una sequía amenaza el sustento de una pareja de ancianos quechuas y su rebaño de llamas.
Documentaries by Lea Glob, Simon Chambers and Angie Vinchito, all major prizewinners, show the diversity and topicality of the post-pandemic Dutch festival.
A youthful gathering in a sunny Greek villa becomes an orgy of sex, drugs and violence in ‘Bastards’, a flawed but lively debut feature from director Nikos Pastras.
Writer-director Asimina Proedrou’s grimly compelling debut feature ‘Behind The Haystacks’ is a contemporary Greek tragedy about family conflicts and border tensions.
A grieving family struggle to move beyond tragedy in Martijn de Jong’s poetically filmed debut feature ‘ Narcosis’, the official Dutch submission to the Oscars.
La directora del Instituto Mexicano de Cinematografía habla sobre cómo el IMCINE ha fomentado el creciente número de mujeres cineastas en México y sobre el lanzamiento de las reseñas en español de TFV en Cine Verdict.
En Endangered las documentalistas Heidi Ewing y Rachel Grady hablan con urgencia pero sin sensacionalismo al reportar los peligros que enfrenta la prensa en lugares sin conflicto armado declarado.
La más reciente película del director catalán y especialista en horror Jaume Balagueró es una desordenada y casi incoherente historia de surgimiento diabólico.
Mi casa está en otra parte es un documental bilingüe que utiliza las voces de los inmigrantes mexicanos, legales e indocumentados, para revelar sus miedos y sus sueños a través de imaginativos dibujos de animacion que permiten una mayor intimidad y comprensión.
The Film Verdict (TFV) is proud to announce the debut of CINE VERDICT, a section featuring Spanish language content written by Spanish language critics for the international marketplace. CINE VERDICT is conceived as a tool for Spanish language professionals who buy, sell, and make films; our intention is to bring awareness of these films to […]
The 65th edition of East Germany’s longest-running independent film festival offered a lively mix of parties and premieres, critical voices and formal experiments.
Martin Boulocq’s timely drama exposes a complex web of family, class, and economic codependency in modern Bolivia, where evangelical churches recruit and exploit indigenous communities.
In ‘Pretty Red Dress’, the vibrant debut feature from British writer-director Dionne Edwards, a troubled family of black Londoners learn to express their true selves with a little help from Tina Turner and a fabulous frock.
Three women struggle for independence in an increasingly conservative society in Belmin Söylemez’s award-winning drama set in an Istanbul acting workshop.
A nomadic tribe clashes with mysterious monsters in director Andrew Cumming’s gripping, stylistically bold Stone Age survivalist horror thriller ‘The Origin’.
Huang Ji and Ryuji Otsuka’s latest is slow but thoughtful and strangely engaging on the subject of a young Chinese woman on the verge of making a potentially life-changing decision.
Director Manuel Abramovich’s controversial docu-fiction portrait of Mexican porn star Lalo Santos, ‘Pornomelancolía’ is empathetic and absorbing, despite being disowned by its leading man.
Writer-director Marian Mathias celebrates small acts of kindness and empathy in her opaque but haunting debut feature ‘Runner’.
Brexit Britain offers only hellish horrors to exploited migrant workers in ‘Great Yarmouth – Provisional Figures’, a bleakly compelling social-realist thriller from Portuguese director Marco Martins.
Carmen Jaquier’s powerful debut feature ‘Thunder’ chronicles a stormy collision between religious faith and sexual rapture in early 20th century Switzerland.
The emphatically indie small-town German fest continues to make a big splash with its eclectic mix of art-house, cult, experimental and left-field genre movies.
Actor turned director John Connors makes a powerful statement with his debut dramatic feature ‘The Black Guelph’, a gritty Irish crime thriller about secrets, lies and trauma passed down the generations.
Director Baatar Batsukh raises the bar for Mongolian genre cinema with his twist-heavy, visually impressive psycho-horror debut ‘Aberrance’.
A complex thriller based on a true sexual abuse scandal involving Chilean politicians, priests, businessmen and homeless children, where nobody is wholly innocent or guilty.