Spotlight

Saturday Night

Jason Reitman’s print-the-legend look behind the scenes of the birth of a legendary comedy TV fixture succeeds on its breathless “let’s put on a show” energy.

White Bird

This platitude-heavy infomercial for kindness benefits from strong performances and handsome production design.

The Last Showgirl

Former ‘Baywatch’ star Pamela Anderson tests her indie art-house credentials in Gia Coppola’s ‘The Last Showgirl’, a slight but engaging portrait of an ageing Las Vegas dancer facing the existential terror of midlife redundancy.

Modi, Three Days on the Wing of Madness

Actor turned director Johnny Depp pays indulgent tribute to bohemian artist Amedeo Modigliani, and to himself, in the badly misjudged and barely coherent biopic ‘Modi, Three Days on the Wing of Madness’.

The Red Virgin

An imaginatively engrossing essay on feminism and motherhood, Paula Ortiz’s taken-from-history ‘The Red Virgin’ features an unforgettable Najwa Nimri as a stage mother out of hell, who sees her brilliant 16-year-old daughter as a sculpture she has created to change the world in 1930’s Spain.

Bound in Heaven

Doomed lovers fight for their right to party in the melodramatic but visually impressive romantic thriller ‘Bound in Heaven’, a strong debut feature from Chinese writer-director Huo Xin.

The Killer’s Game

An action-comedy that contains neither, this generic exercise will remain forgotten as Dave Bautista’s star continues to rise.

Transformers One

Lore-crazed fans will devour this animated prequel that is, at the very least, slightly more intentionally funny than the Michael Bay live-action franchise.

The Wild Robot

Animator Chris Sanders concocts a sweet fable about love, parenting, and finding your own path.

Joker: Folie à Deux

Joaquin Phoenix and director Todd Phillips return to their billion-dollar killer-clown origin story with the music-stuffed, lavishly staged but dramatically flawed sequel ‘Joker: Folie à Deux’.

Wolfs

It takes the combined power of George Clooney and Brad Pitt to maintain interest in this paper-thin farce about rival crime-scene cleaners.

The Order

White-supremacist violence in the US is an evergreen subject, but this docudrama about an FBI takedown of a racist cell plays like countless other feds-versus-terrorists thrillers.

Babygirl

Nicole Kidman delivers another emotionally and physically fearless performance in Halina Reijn’s provocative, kink-themed coming-out story.

Maria

Pablo Larraín’s third portrait of the private pain of a public woman exists most effectively as a platform for Angelina Jolie’s diva-as-diva performance.

Beetlejuice Beetlejuice

Tim Burton’s energetically grotesque sequel proves you can go home again, even when that home is haunted.

Blink Twice

Zoë Kravitz makes an impressive directorial debut with a twisty, topical thriller in the Jordan Peele/Ira Levin vein.

TFV is On Point with Audio Film Reviews

The Film Verdict (TFV) launches the industry’s first trade audio film reviews with THE FILM VERDICT ON POINT (TFV On Point), a new podcast series that will turn TFV film reviews into audio broadcasts, hosted by Sarah Vianney.

Alien: Romulus

Fede Alvarez returns to the well of the original 1979 Ridley Scott hit while adding a few space-screams of his own.

Cuckoo

This Alpine resort has everything: mood, creepiness, mood… and… well, that’s about it.

Trap

Too few surprises and too many endings makes for a tension-free thriller from M. Night Shyamalan, despite Josh Hartnett’s best efforts.

Deadpool & Wolverine

Ryan Reynolds fires off quips and bullets with equal precision, but both the meta-comedy and the exaggerated violence wear thin before the film’s denouement.

Twisters

This 28-years-later sequel delivers the weather-porn thrills of its predecessor, while managing to be the tiniest bit less silly when the actors open their mouths.

Fly Me to the Moon

The space race is back in the peppy, bouncy ‘Fly Me to the Moon’, but a sparky face-off between NASA launch director Channing Tatum and marketing wizard Scarlett Johansson can’t disguise an outdated feeling.

Despicable Me 4

Even die-hard Minions fans may come away disappointed from this half-hearted fourquel.

A Quiet Place: Day One

Not much here that the earlier two films didn’t already establish more effectively; its only depth comes from Lupita Nyong’o’s intuitive lead performance.

The Bikeriders

Writer-director Jeff Nichols relies more on mood than narrative to capture the rebellious spirit of 1960s biker gangs.

Inside Out 2

This Pixar sequel brings its protagonist into puberty and examines, with humor and poignancy, the complicated process of building an identity.

Bad Boys: Ride or Die

Will Smith and Martin Lawrence radiate real “I’d rather be playing golf” energy in this fourth entry of a played-out franchise.

Young Woman and the Sea

This biopic of the first woman to swim the English Channel is total Disney corn, but it goes down easy.

Cannes 2024: The Verdict

Women’s films and issues held center stage at Cannes 2024, while outright political films and cinema’s elder statesmen fell out of favor.

Beating Hearts

In ‘Beating Hearts’, Gilles Lellouche has produced a gorgeous film that is an epic rumination on love, revenge, class, and the inescapable pull of a certain kind of romance.

TFV Announces Launch of Al-Takdir

AL-TAKDIR is the first bilingual global source of Arab film and entertainment news and film reviews for both the region and international industry.

Furiosa

Fails to meet the impossible task of matching, let alone surpassing, its legendary predecessor, but George Miller’s action sequences still pack a punch, even when they reek of déjà vu.

Kingdom of the Planet of the Apes

If there’s a valid reason to return to this simian franchise, this latest entry never finds it, despite the craftsmanship on display.

The Fall Guy

This valentine to action-packed moviemaking works best when it ignores the plot and focuses on stunt craft and the explosive rom-com banter between Ryan Gosling and Emily Blunt.

Challengers

Luca Guadagnino’s twisty, sexy, adult tennis saga entwines three players who understand each other (and themselves) on the court but have a harder time working outside the lines.

Civil War

Alex Garland can mount a battle sequence as well as any filmmaker working today, but the lack of political context and specificity undermines this ambitious film.

Monkey Man

Dev Patel makes a dazzling directorial debut that mixes stylish ultra-violence with a provocative political point of view.

Godzilla x Kong: The New Empire

One of the better American Godzilla movies delivers the giant-monster-fighting goods, even if waiting for the grand finale occasionally feels like a chore.

Ghostbusters: Frozen Empire

A franchise once built on comedy with some creepy ghosts on the side now feels more committed to nostalgic brand-building, sprinkled with forgettable scares and half-hearted attempts at humor.

Kung Fu Panda 4

Brisk, exciting and genuinely funny, ‘Kung Fu Panda 4’ is the highlight of this
long-running franchise, furthering the hero’s journey to enlightenment, working wonders
with its ensemble cast, and embracing the philosophical spirit of kung fu.

Dune: Part Two

The second chapter of Denis Villeneuve’s epic adaptation delivers on the visual grandeur and political intrigue, even if the characters tend to be reduced to their plot function.

The Empire

Mischievous writer-director Bruno Dumont combines visually dazzling ‘Star Wars’ parody with small-town French farce in his admirably ambitious but muddled space opera ‘The Empire’.

Suspended Time

Olivier Assayas’s semi-autobiographical reverie ‘Suspended Time’ on his stay in the family home during lockdown, is likely his weakest work, playing like a parody of an intellectualized director’s banal ruminations.

Another End

Corporate scientists use memory technology to bring back the dead for a brief reunion with their loved ones (played by Gael Garcia Bernal and Bérénice Bejo), in Piero Messina’s clever but often perplexing ‘Another End’, whose futuristic love story beyond the grave is a mighty challenge to unravel.

My Favourite Cake

A small jewel of an Iranian romantic comedy, ‘My Favourite Cake’ pits an older woman determined to find a measure of happiness against the restrictions of the Islamic regime and the loneliness of aging, while the film’s creators Maryam Moghaddam and Behtash Sanaeeha have been banned from traveling to Berlin.

Madame Web

Despite a tangled narrative web, this arachnid superhero saga makes a far better would-be tentpole in Sony’s Spider-verse than ‘The Amazing Spider-Man 2’ or ‘Morbius,’ thanks mainly to Dakota Johnson.

Lisa Frankenstein

This female-gaze take on 1980s teen movies must have looked great on paper, but it never comes to life on screen.

IFFR 2024: The Verdict

Rotterdam Film Festival’s 53rd edition balanced an uneven competition program full of sombre three-hour dramas with more adventurous sidebars, essay films, experimental video art and pop superstar guests.

Argylle

Yet another star-packed, high-gloss caper lacking in wit, stakes, charm, or a reason to exist.